A little bit different take on the 2020 song, something of a blend of jazz fusion and rock, lovingly recorded at TELEFUNKEN Elektroakustik’s studio back in 2017.
If you’ve ever wondered what midsummer sounds like, this is it. Melting asphalt outside, a failed air conditioner, a country mix session in my home studio, and some ice water. What could be better? Uh, anything. But no matter what, we don’t stop and keep on crafting our sound, a whisper of coolness in a sunbeam’s gleam.
Source (Multitrack/Stems): Produce Like A Pro
Bringing back the nu metal classics and pushing it to its limit, at the same time maintaining an authentic image of focus on groove and emotions.
Original mix by: Brendan O’Brien
One of the most significant hip hop albums of all time, returns in one piece, harsher, angrier, with a dark twist.
Original mix by: Steve Ett, Rod Hui, Nick Sansano, Matt Tritto
The reworking of this composition is a great honor for me, as well as my own tribute to talent, spirituality and the constant battle with one’s mind. This release is my vision of modern soul and R&B.
In this mix I came up with interesting solutions, both technically and creatively, “inspirationally”. Instead of adding more layers, muting everything out and leaving the listener alone with the vocals is the next step in achieving a spiritual connection between the listener and the singer.
This release was meant to be on Marvin Gaye’s birthday, in honor of his 85th anniversary, but has been delayed for technical reasons. I guess, it’s Time To Get It Together.
Original mix by: Art Stewart
A fresh look at the 2008 record, that at the same time takes it back to the origins. Enjoy.
Original mix by: Logan Mader
Source (Multitrack/Stems): URM Academy
Stem-mastering session aimed at bring the track a little closer to the sound of the rest of the album, focusing on the low end and its translation, as well as a complete reworking of bridge section. With re-arranging and writing additional layers of synths, the mood of this “dark” passage changes completely.
I’m glad I’m not limited to the artist’s vision of this composition here, if they had heard this I would have been fired at that very moment.
Original mix by: David Wrench, Mandy Parnell
After upgrading my machine and finally transferring all my templates, presets and chains into Reaper, I have something important to share. This is a pretty old project that I rebuilt from scratch in a week with my new tools to the point where it gives me goosebumps.
It’s a nice record, the pleasure I had working on it makes it hard to believe that it was recorded in a small basement studio.
Original mix by: Joshua Rathbun, Fab Dupont
Source (Multitrack/Stems): Puremix
A beautiful song by a beautiful band, was an unexpectedly enjoyable experience of bringing together professionally recorded acoustic instruments and layering them with 90’s hip hop samples. If I said it was no fun I’d be the biggest liar on earth.
Original mix by: Woven Hollow
Source (Multitrack/Stems): Cambridge Music Technology
My main goal with this track was to make it as “stereo” as possible. For this purpose such techniques as stereo panorama expansion, M/S processing, and binaural output were used.
I really enjoyed working with this high quality recording, and had a lot of fun experimenting with the sound of diligently recorded instruments.
Original mix by: Jesse Joy
Source (Multitrack/Stems): Cambridge Music Technology
It’s worth saying that this is the one of the loudest and most dynamic tracks I’ve ever mastered. It is truly a masterpiece in terms of composition and production. But unfortunately the laborious process of creating the arrangement was neglected.
This is a really unique experience for me, and tremendous amount of work has been done that I am proud of.
Original mix by: George Lever
Source (Multitrack/Stems): URM Academy